October 2021
FELTDARK

RYAN ANDREW LEE (NSW)

Wonnarua is a video-based installation work that aims to provoke discussion around themes of Indigenous ways of living in juxtaposition with Western Settler-state system's unsustainable, damaging ways of using stolen lands. In today's current global state of environmental (and cultural, communal and spiritual) emergency, the need to embrace traditional Indigenous knowledge is now more crucial than ever before. The traditional custodians of these lands have sustainably looked after country for 90,000+ years, yet in the short 231 years since colonisation these lands have been abused and sold for profit while the Aboriginal people and culture along with their vast knowledge for country and sustainable land management methods have been suppressed and put to the side.

The video diptych juxtaposes living portraits of five Aboriginal men from the Wonnarua Nation with provoking drone shots of the vast Musswellbrook coal mines, which are situated in the heart of the Wonnarua Nation. The frame in which the video work sits, is an 1820's antique Victorian era influenced design, which correlates with the exact time period that European settlers first reached Muswellbrook, Wonnarua Country). The symbolic frame also metaphorically acknowledges the paradox of living in and between the two worlds and addresses subtle hypocrisy, the act of critiquing these Western systems although at the same time living and breathing by them.

This moving image installation advocates for profound inquiry into the events and resulting cultural, environmental and spiritual impacts that have taken place in this country in the short period since colonisation began in Australia. This work is a statement on a way of living; a plea for cultural embracement, reconciliation, and change; a push for government and corporate systems to stop oppressing Indigenous people and culture. It is a plea to listen, learn and implement the vast knowledge of First Nations people in the re-thinking of today's current systems that are clearly not working, in order for everyone to move forward inclusively, together as one.

Ryan Andrew Lee is an Indigenous conceptual video artist whose work is strongly influenced by First Nations as well as natural and spiritual philosophies; which are all inextricably linked by universal nature. Using the medium of moving image and installation as his favoured tools of choice, Lee proactively strives to create work that resonates on a deeper level of human consciousness traversing divisive conceptual constructs such as class, culture, race, gender and religion. His works aims to raise consciousness across the current settler-state diaspora to promote deeper cross-cultural understanding and communication in order to assist the breakdown of such conceptual divisive barriers. Lee is a solo practitioner who works with community and extensive economic, cultural and social networks to both inform and excel his practice. Lee also works collaboratively with individuals and groups on a work by work basis.

Presented as part of the Art Gallery of South Australia’s Tarnanthi Festival.